Date: c. 1764-1765
Medium: Pen and ink and grey wash over pencil on brown paper.

Display Date: British, 1734 - 1797
Nationality: British
Biography: Artist.
Date: c. 1764-1765
Medium: Pen and ink and grey wash over pencil on brown paper.
| Object Type: | Drawing |
| Dimensions: | Support: 511 × 419 mm (20 1/8 × 16 1/2 in.) |
| Description: | Elizabeth Barker notes that this study was once in the collection of the Liverpool collector (and patron of Wright), Daniel Daulby (according to a manuscript inventory of 1793, no.210, p.66). Barker also notes that if not made after a cast of the Borghese Gladiator, it may be a study after an engraving of the sculpture. [see Barker, E. 'Joseph Wright of Derby in Liverpool' (Yale University Press, 2007), p.163.] 'Numerous casts and copies of this celebrated statue, formerly in the Villa Borghese and now in the Louvre, are known to have existed in England before Wright left for Italy. Indeed, two copies of varying size appear in Wright's early genre paintings 'Three Persons viewing the Gladiator by Candlelight', 1764-5 and 'An Academy by Lamplight', 1769. Although the drawing is not dated it is likely that this study was made in connection with the paintings, the meticulous handling of the wash being uncharacteristic of the later studies Wright made in Rome. That the angle of the drawing appears in reverse to the paintings suggests it was one of a series of such studies, now lost.' [Baker, G. in Wallis, J. 'Joseph Wright of Derby 1734 - 1797: An introduction to the work of Joseph Wright of Derby with a catalogue of drawings held by Derby Museum and Art Gallery' (Derby Museum and Art Gallery, 1997), p.88.] Judy Egerton felt that the drawing was similar in style and size to the studies after the Antique that Wright made in Italy, and suggests that it may have been made at the Villa Borghese in Rome, and not in England as Nicolson had earlier stated. [Egerton, J. 'Wright of Derby' (Tate Gallery, 1990), p.63.]. The use of pen and ink wash is very careful; tentative almost, in comparison with Wright's Italian drawings, but it is difficult to say for certain when it was made. [LB and ME: 2024] Benedict Nicolson felt that the drawing was made in England, before Wright's trip to Italy. He notes that the popularity of the sculpture in England in the 1760s meant that there were plenty of casts or copies Wright might have seen and studied. Nicolson suspected that the drawing was made in connection with the painting 'Three Persons Viewing a Gladiator by Candlight' (1765), but notes that the drawing that is held up for inspection in this painting shows the sculpture from a different viewpoint to that of the present study. He suggests that there were other studies of the sculpture from different angles, possibly now lost. [see Nicolson, B. 'Wright of Derby: Painter of Light' (Paul Mellon Foundation, 1968), p.57. |
| Provenance: | ...; with Daniel Daulby of Liverpool by 1793; ...; with William Bemrose of Derby in 1883; by descent to his son, Charles Lloyd Bemrose, by whom donated to Derby Museums in 1914. |
| Viewing Status: | Contact Us |
| Item Ref: | 1914-517/1 |