Date: 4.6.1774
Medium: Pen and ink and sepia wash on paper.

Display Date: British, 1734 - 1797
Nationality: British
Biography: Artist.
Date: 4.6.1774
Medium: Pen and ink and sepia wash on paper.
| Object Type: | Drawing |
| Dimensions: | Support: 352 × 530 mm (13 7/8 × 20 7/8 in.) |
| Description: | Benedict Nicolson first pointed out that the scene is not a faithful rendition of the urban topography of Rome, but a capriccio (quite literally, 'fanciful' scene) of famous monuments [see Nicolson, B. 1968, p.80]. Later, David Fraser noted, for instance, the appearance of the Pantheon and a 'Roman column', which have been transported from another part of the city to occupy the scene [see Fraser, D. 1987, p.11]. The identity of the column was more recently confirmed by Amina Wright as the Antonine column which, like the Pantheon, is located across the river Tiber from the Castel Sant'Angelo and St Peter's [see Wright, A. 2014, p.54]. As Fraser and others have since pointed out, the study was composed as a study of nocturnal light effects, rather than a faithful rendition of the urban landscape of Rome. It was to form the basis for an oil painting of the Girandola that Wright developed whilst in Bath (now in the Walker Art Gallery, Liverpool), which takes a very similar view to this study. The oil painting also included the detail of an explosion of sparks in the sky within a clearing of clouds to the top right, although the view he adopts in the painting is from much further away than the present study, incorporating landscape and the framing feature of a tree. Judy Egerton notes that the insciption on the drawing 'must...record the date on which he completed the drawing', not of the event he saw. In 1774, the earliest Girandola he could have witnessed was on Monday 4 April. The next was on 29 June for the Feast of Saints Peter and Paul. The drawing is dated 4 June 1774, and must therefore depict his impressions of the Easter Girandola [see Egerton, J. 1990, p.146]. |
| Inscriptions: | Inscribed on recto, to top left left (handwritten in ink): 'JW Rome June 4 - 1774'. |
| Provenance: | ...; William Bemrose of Derby; by descent to his son, Charles Lloyd Bemrose, by whom donated to Derby Museums in 1914. |
| Viewing Status: | Contact Us |
| Item Ref: | 1914-517/4 |