Date: 1750 or 1751
Medium: Pen and ink and ink wash on tan washed, laid paper.
Display Date: British, 1740 - 1756
Nationality: British
Biography: Son of John Pendarves Basset (1713–1739) of Tehidy Park, Cornwall and Anne Prideaux (1718–1782), daughter of Anne Hawkins and Sir Edmund Prideaux, fifth Baronet of Netherton. Basset, whose father died before his birth, came from one of the wealthiest families in Cornwall, with a fortune derived from minerals and tin mines. It is therefore unsurprising that he is named among the subscribers to William Borlase’s Observations on the Antiquities Historical and Monumental, of the County of Cornwall, published in 1754, where he is listed as subscribing to no less than twenty copies. He died at the age of sixteen, when a pupil at Eton College. An elaborate funeral procession was arranged for the journey by foot from Slough to his place of rest in the family vault at Illogan, Cornwall. [Source: Emily Burns, entry for Art and the Country House online catalogue, published by the Paul Mellon Centre for Studies in British Art. Accessed on 10 July 2024]
Display Date: British, 1734 - 1797
Nationality: British
Biography: Artist.
Display Date: Dutch, died 1756
Nationality: Dutch
Biography: Engraver; painter of portrait miniatures.
Display Date: British; Scottish, 1713 - 1784
Nationality: British; Scottish
Biography: Painter.
Date: 1750 or 1751
Medium: Pen and ink and ink wash on tan washed, laid paper.
| Object Type: | Drawing |
| Dimensions: | Support: 337 × 235 mm (13 1/4 × 9 1/4 in.) |
| Description: | Judy Egerton was the first to publish this drawing in her catalogue for the Tate Gallery exhibition 'Wright of Derby', in 1990. In her entry for the drawing, Egerton cites David Alexander as having identified its source as a mezzotint by John Faber junior, after a painting by Allan Ramsay. Egerton surmised that it was by copying prints that Wright first taught himself to draw, and that this subsequently contributed 'powerfully' to his interest in strong contrasts of light and dark. [Egerton, J. 'Wright of Derby' (1990), p.135.] Joseph Wright, like many other eighteenth century artists, copied other artists' work as a form of early self-training, in design, composition, etc. His inscription on this copy of the Faber engraving after Allan Ramsay's portrait of Master John Prideaux Bassett, shows him to be aged 16. Wright worked from Faber junior's mezzotint engraving of c.1750, rather than the Ramsay original. It has been suggested that the copying of such mezzotints with their strong contrasts of light and shade were to contribute greatly to Wright's later mature style. [Wallis, J. 'Joseph Wright of Derby' (1997), p.49.] The sitter is John Prideaux Basset of Tehidy Park in Cornwall, originally painted by Ramsay in c.1747-48. This painting was at the family home of Tehidy until it was sold in 1920. It is now in a private collection. The portrait shows Basset in pink satin 'Van Dyck' dress. Interestingly, Wright departs very slightly from the mezzotint (and painting) in showing Basset looking not to the left of the viewer, but directly at them instead. Note that Egerton and Wallis describe the drawing as having been made with charcoal and stump. However, the medium looks more like pen and ink with ink wash on tan washed laid paper. The record has been amended to reflect this. [LB: 2024] Provenance recorded as 'Cade Collection' in 1934 Derby exhibition catalogue entry. Also states drawing was exhibited at Derby in 1877. |
| Inscriptions: | Inscribed lower left hand corner (handwritten in ink): 'Delineata a Joseph Wright anno atatis sua 16'. |
| Provenance: | ...; Cade Collection (?); ...; A. Whitman of Cheltenham, antiquarian bookseller, from whom purchased by Derby Museums in 1920. |
| Viewing Status: | Contact Us |
| Item Ref: | 1920-805 |