Date: c. 1774-1775
Medium: Pen and ink and grey wash over pencil on paper.

Display Date: British, 1831 - 1908
Nationality: British
Biography: Printer; writer; collector Born at Derby on 30 December 1831, William Bemrose was the second son in a family of three sons and one daughter of William Bemrose of Derby, founder in 1827 of the printing and publishing firm of William Bemrose & Sons of Derby and London. His mother was Elizabeth Ride of Lichfield. His elder brother, Henry Howe Bemrose (1827-1912), was conservative member of parliament for Derby from 1895 to 1900 and was knighted in 1897. On their father’s retirement in 1857, Bemrose and his brother Henry assumed management of the family printing business, which grew to include an office in London, with branch offices in Leeds and Manchester. Although actively involved in the printing business, Bemrose pursued many other interests. He became a director of the Royal Crown Derby Porcelain Works, leading him to publish three works on china: 'The Pottery and Porcelain of Derbyshire' (1870), in collaboration with A. Wallis; 'Bow, Chelsea and Derby Porcelain' (1898) and 'Longton Hall Porcelain' (1906). Bemrose chiefly devoted his leisure to travel and to a study of many forms of art, on which he was also a successful author. From an early age, he had practised wood-carving, fret-cutting, and modelling in clay, and later compiled useful manuals concerning them for the instruction of amateurs which were well illustrated and circulated widely. Among these was a 'Manual of Wood-carving' (1862), followed by 'Fret-cutting and Perforated Carving ' (Derby, 1868); 'Buhl Work and Marquetry' (1872); 'Paper Rosette Work and how to Make it' (1873) ; 'Instructions in Fret-cutting with Designs' (1875); and 'Mosaicon: or Paper Mosaic and how to Make it' (1875). Bemrose was also an amateur painter in oils and water-colours and collected pictures, china, and articles of 'vertu', especially items of Egyptian art, which he acquired on his travels. In 1858, Bemrose married the great-granddaughter of Joseph Wright of Derby, Margaret Romana Simpson (1837 - 1901), by whom he had five sons and one daughter. The connection granted Bemrose access to many works by Wright and fired a keen interest in the artist and his legacy. As chairman of the Derby Art Gallery Committee, he was instrumental in establishing a permanent collection of the artist’s work and organised the first retrospective exhibition devoted to Wright in 1883. In 1885 he published the first biography of the artist, titled 'The Life and Work of Joseph Wright, A.R.A., commonly called Wright of Derby.' In 1903, two years after death of his wife Margaret, Bemrose married Lilian, daughter of William John Gumming, M.R.C.S., of Matlock, and widow of Alderman William Hobson of Derby, proprietor of the 'Derbyshire Advertiser.' Bemrose, who was elected a F.S.A. in 1905, also played an active part in wider affairs of Derby. He was a member of the Derbyshire Archaeological Society, and vice-president of the Derby Sketching Club. A member of the Derby school board from 1879, he was its chairman from 1886 to 1902, and was a founder and for many years chairman of the Railway Servants' Orphanage. A pioneer of the volunteer movement, he retired as lieutenant in the 1st Derby volunteers in 1874 after seventeen years' service. He died at Bridlington, while on holiday, on 6 August 1908, and was buried at Derby. His second wife survived him. Bemrose’s varied collection was dispersed among his children who eventually donated items to Derby Museums, including many works on paper by Joseph Wright of Derby. (Much of this information comes from the DNB, 1912 Supplement (volume 1), entry on William Bemrose, by S. E. Fryer. Accessed at Wikisource.org, 2021).
Display Date: British, 1734 - 1797
Nationality: British
Biography: Artist.
Date: c. 1774-1775
Medium: Pen and ink and grey wash over pencil on paper.
| Object Type: | Drawing |
| Dimensions: | Support: 327 × 492 mm (12 7/8 × 19 3/8 in.) |
| Description: | Wallis notes that the drawings chart the development of the Girandola subject and its eventual manifestation in oils. She points to the outline drawing (DBYMU 1914-517/3), which is an identical view to the one seen in the present drawing, and in which Wright appears to have been concerned with capturing topographical details. The present drawing develops on this with attention paid to conveying the spectacle of the firework display itself. By DBYMU 1914-517/4, Wright has begun to excercise some artistic license and plays with topographical details to create his own scene. It was from the latter drawing that Wright was then to develop his large painting of the Girandola that is now in the Walker Art Gallery in Liverpool [see Wallis, J. 'Joseph Wright of Derby' (1997), pp.77-79.] Nicolson felt that this latter painting, dated 4 June 1774, was likely to have been his first attempt at the subject. It is the only one of the Girandola drawings that is dated, however. Moreover, the date of the drawing means that it was made after the Easter firework display in 1774, and before the firework display associated with the feast of St Peter and St Paul on 29 June. This would have provided Wright with plenty of time to work up his ideas and produce a host of drawings. [LB: 2024] Wright's letter and 'sketches of observation' (DBYMU 1937-739/5A and 5B) are concerned with establishing topographical accuracy and show the same view as the present drawing and DBYMU 1914-517/3, though from a truncated and slightly different angle. It may be for this reason that St Peter's Basilica is missing in the latter two drawings, or Wright may have chosen to omit it. [LB: 2024] |
| Inscriptions: | Inscribed on recto, to top left (handwritten in ink): '104'. |
| Provenance: | ...; William Bemrose of Derby; by descent to his son, Herbert Cheney Bemrose; donated to Derby Museums by Florence May Lousada, the widow of Herbert Cheney Bemrose, in 1937. |
| Viewing Status: | Contact Us |
| Item Ref: | 1937-739/7 |