Date: 04.06.1774
Medium: Pen with bistre wash on toned yellow paper.
Display Date: British, 1734 - 1797
Nationality: British
Biography: Artist.
Date: 04.06.1774
Medium: Pen with bistre wash on toned yellow paper.
| Object Type: | Drawing |
| Dimensions: | Support: 279 × 419 mm (11 × 16 1/2 in.) |
| Description: | This drawing entered the collection as 'Fire in Rome', but Judy Egerton suggests that more likely it is connected to Wright's 'Girandola' drawings (see Egerton, 1990, cat.82). The smoke and glow from these huge firework displays would look like a fire from a distance. The higher vantage point could indicate that Wright made the drawing (or a study of it) either as he walked back uphill towards his lodgings on the Trinita de Monti above the Piazza di Spagna in Rome, or actually from his lodgings. His letters mention there were 109 steps to the building. [JW: 1997, p.77] Fraser also draws attention to the similarity of the drawing, with its dark buildings in the foreground, to Wright's Girandola study DBYMU 1914-517/4. Fraser notes that there is no known oil of this subject, and may simply reflect Wright's interest in light effects. Fraser also suggests that Wright may have been influenced in his choice of subject matter by his friend Jacob More, who was working on a subject called the 'Burning of Troy' in 1774. [Fraser, 'Wright in Italy', 1987, p.8] Fine Art Index card questions whether the spire emerging to the right side of the smoke is Borromini's University Chapel of San Ivo della Sapienza. |
| Inscriptions: | Inscribed to recto (position?): '1774 210 Rome June 4th 1774' and to top left: '[illegible number?]'. |
| Provenance: | ...; Herbert Cheney Bemrose; donated to Derby Museums by Florence May Lousada, the widow of Herbert Cheney Bemrose, in 1954. |
| Viewing Status: | Contact Us |
| Item Ref: | 1954-219/7 |