Date: c. 1774-1775
Medium: Pen and sepia ink, and ink wash on paper.

Display Date: British, 1734 - 1797
Nationality: British
Biography: Artist.
Date: c. 1774-1775
Medium: Pen and sepia ink, and ink wash on paper.
| Object Type: | Drawing |
| Dimensions: | Support: 279 × 311 mm (11 × 12 1/4 in.) |
| Description: | The inclusion of a number, inscribed in the top corner of the drawing, is consistent with the drawings that Wright made in Italy. Could this drawing have been produced during his trip abroad, and therefore slightly later, than previously thought? Note too that one of the glasshouse studies to which this drawing has been compared (Interior of a Glasshouse, DBYMU 1914-517/58), also carries a number in the top corner. [LB: 2024] The 'hearth' in this wonderfully alive study appears much too large for domestic use. The open hearth appears to front a tunnel-like flue, somewhat similar to a type already seen in Wright's studies of glass-houses. The long-handled shovel, and the fuel in the form of stacked tree branches, also appear in these studies. However, as Wright executed these studies in the 1770's when industry was still largely organised under the domestic system, it could be another industrial scene. A variety of small-scale industrial processes such as nail-making were undertaken as piece-work in the domestic home. Wright may well have sketched one such establishment, hence the curious mixture of the 'industrial' size hearth, with the domestic paraphernalia. [J. Wallis, 'Joseph Wright of Derby' (1997), p.71] Egerton remarks on the evident love of light effects on show in this drawing and draws a parallel with Wright's glass house studies. She notes the well-wrought, even 'elegant', paraphenalia of the fireplace, such as the fire dog and long handled shovel, and questions whether the study might have been made in a blacksmith's living quarters during his period of painting smithies and forges [see J. Egerton, 'Wright of Derby' (1990), p.138]. It was Nicolson that appears to have suggested a date of c.1770-1772 for this drawing, grouping it with what he felt to be other industrial subjects, such as the study for the Iron Forge (1772), and the glass house drawings [see B. Nicolson, 'Joseph Wright of Derby: Painter of Light' (1968), vol 1, p.50 (note 3), and vol 2, plate 98]. |
| Inscriptions: | Inscribed on recto, top left (handwritten in ink): '238'. |
| Provenance: | ...; with William Bemrose in 1883(?); by descent to Herbert Cheney Bemrose; thence to his wife, Florence May Bemrose (nee Prince); thence to her second husband, Major Lousada, by whom bequeathed to Derby Museums in 1954. |
| Viewing Status: | Contact Us |
| Item Ref: | 1954-224/4 |