Date: c. 1770-1775
Medium: Pen and ink and grey wash on paper.

Display Date: British, 1734 - 1797
Nationality: British
Biography: Artist.
Date: c. 1770-1775
Medium: Pen and ink and grey wash on paper.
| Object Type: | Drawing |
| Dimensions: | Support: 362 × 521 mm (14 1/4 × 20 1/2 in.) |
| Description: | One of two studies of the interior of a glass house (see also: DBYMU 1914-517/58). This glass-house interior brings to mind the later compositions of Wright's 'Romeo and Juliet , The Tomb Scene' and 'The Captive'. Perhaps the hours spent in working on these highly detailed studies of prison or tomb-like interiors with the light of the furnace casting deep shadows, so impressed themselves on Wright's mind that years later he was able to resurrect the spirit of them when he approached the subjects of captivity and death. [Wallis, J. 'Joseph Wright of Derby 1734 - 1797' (Derby, 1997), p.71.] Fraser suggests that this study, and the related drawing (DBYMU 1914-517/58), may have been made in James Keir's glass factory, established in 1769. [Fraser, D. 'Joseph Wright of Derby' (Derby, 1979), cat. 63.] However, Judy Egerton argues that they could have been made at Josiah Wedgewood's glass-houses at Etruria. Wedgewood had a keen interest in improving glass-making and discussed the subject at length with Keir, before publishing a paper for the Royal Society around 1783. As such, Egerton questions the dating of c.1770-2 that is given to these drawings and proposes c.1779-84 when Wright was working on 'The Corinthian Maid' and 'Penelope' for Wedgewood and making visits to Etruria. [see Egerton, J. (1990), p.96-7.] Elizabeth Barker posits a potential connection through Wright's Liverpool portrait sitters and notes the presence of numerous glass-houses in the city, incuding close to Wright's residence on Duke Street. Barker also notes that the dates for these drawings is uncertain and suggests c.1770-1773. [See Barker, E. (2007), p.182.] Interestingly, the presence of a number, handwritten in ink, on the related glass-house drawing (DBYMU 1914-517/58) matches the system used by Wright whilst in Italy. [LB: 2024] Nicolson noted that the glass-house drawings were probably made in preparation for a painting. He records that a picture described as 'The Glass-House, a Sketch', was listed in Wright's posthumous sale at Christie's in 1801 (no.24). [see Nicolson, B. 'Joseph Wright of Derby: Painter of Light' (1968), p.121.] |
| Provenance: | ...; with William Bemrose of Derby in 1883; by descent to his son, Charles Lloyd Bemrose, by whom donated to Derby Museums in 1914. |
| Viewing Status: | Contact Us |
| Item Ref: | 1914-517/57 |